Zeng Xiaoyun (Lecture at the same time as Teacher Zeng wrote the training camp)
Hello, fellow cadets! I am with teacher Zeng Xiaoyun synchronous write recruit training camp instructor Zeng Xiaoyun. I was there on March 25th
The second section, about those things, do not write the levy can also understand the next
In section 5, the problem of tonal antithetical couplets, which has been troubled and debated for many years, is summed up in one sentence
Section 6: Are You Still Measuring the Couplet in Parts of Speech and Structure? It's too late to get out of the misunderstanding
The seventh, do not understand the essence of couplets, write to 100 years old your level is still in place
In the eighth verse, the antithetical couplet is the firefly with its own halo
Section 9, what is the relationship between the upper and lower couplets? Here's a saying you've never heard of
What is a“Feed”? This is how a couplet is formed
Section 11 Elegance is not the yardstick for judging "Lianjia language"
Section 12 If each student union had a copy of "Couplets" and "Chuwanglou Couplets", would there still be so many "splendid" versus "brilliant"?
In the fourth class, I will introduce the use of antithetical writing artifact in detail. Some students have already used the search tool I mentioned to write sentences and won prizes. [ read more:
〇、开课前言
The rules of tonal level in ancient Chinese
II. The level and tonal stipulations in the general principles of the joint laws
3. The definition and role of ping
Fourth, the source of the couplet
5. Flat arrangement of various asana couplets
6. A few additional points
如果想要了解新课的内容、风格等方面情况，可以试学以下旧课：
Lesson 4: ease the problem of writing the words with insufficient, quick effect with this trick
Lesson 5: this is probably one of the most cited articles on the temple couplets
After learning any of the above lessons, you can add my mobile phone, wechat Signal 1357651312, and continue to participate in the learning and communication by synchronizing with teacher Zeng's writing.
Good. Let's get started.
First, the rules of plainness in ancient texts
Everyone knows that poetry has poetic rhythm, words have lyric rhythm, and song has melody.One day, on a whim, I thought, since poetry and music have a law, then does prose have a law?
有人笑了，诗词曲与散文不同，属于韵文。韵文才要讲究律，散文哪里有什么律呢？
先不管你们的质疑。下面，我以古文名篇《岳阳楼记》为样本，考察古代散文的声律。具体而言，就是平仄。我想看看古文中的各种句式在语义节奏点上是如何安排平仄的。
“Yueyang Tower” full text for the shortest one word, the longest for 18 words. Each has a sentence. The most common four-word, a total of 43. The second common six-word, a total of 11, some of the removal of“However”, “Or” and other sending language, is actually four words.
(1) In a word
UGH
Ping.
(2) Two words
Love
Ho yy
Are Flat.
(3) Three words
The more next year
Distant Mountains
Swallow the Yangtze River
Retreat also worry
微斯人
有仄平平、仄仄平、平平平句式。前两种平仄交替，后一种没有。文中没有出现句脚仄声的句子。不过，我们不难推演出句脚为仄的散文句式有哪几种。
(4) Four words
There are 43 sentences in the four sentences, with 8 typical sentences chosen:
Politicians and people
Hundred wastes are prosperous
Increase its old system
多会于此
The duns building too
Exchange of fishing songs
It's a pleasure
Is into also worry
吾谁与归
有平平仄仄、仄仄平平、平平平平、仄仄仄仄四种句式。前两种平仄交替，后两种没有做到严格的平仄交替。
(5) five words
Spring in the fourth year of the Lunar Calendar
A lake in Dongting Lake
There are levels, levels, levels. The former alternates tonal patterns, the latter does not achieve strict tonal patterns.
(6) six words
It was to rebuild the Yueyang Building
I’ve heard it all before
(However) north to Wuxia
(Rolf) the rain was falling
则有去国怀乡
I feel extremely sad
To Ruochu and Keimei
And the smoke is empty
则有心旷神怡
It's overjoyed
Or both
There are level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level. The first two kinds of tonal alternation, the last five did not achieve the strict tonal alternation.
(7) seven words
It belongs to the composition to remember
Yuguan Fu Baling won the case
然则何时而乐耶
There are three kinds of level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level, level. The first type of tonal alternation, the latter two do not achieve strict tonal alternation.
(8) Eight words
Teng Zijing guarded Baling County
Give a taste of the heart of the ancient people
September 15, 6 years
There are three types: pingpingping, pingThe first type can be seen as alternating between equals and the other two.Note that I've always been talking about flat alternation in semantic rhythm points.
(9) Nine words
This is a great view of Yueyang Tower
The height of the temple is worried about its people
Far away from the rivers and lakes, it is worried
There are three types: Pingpingping, Pingpingping, Pingpingping, Pingpingping, Pingpingping, PingpingpingThere is no strict alternation of equals.
(10) ten words
Inscribe Tang Xian and Jin Ren’s poems on it
Ping ping, ping ping.
(11) Eighteen words
其必曰先天下之忧而忧后天下之乐而乐乎
There is only one kind of ping, pingping, and there is no strict alternation of ping.
Combining other samples of ancient prose, I tried to“Summarize” the rules of tonal arrangement in ancient prose:
四言既有平平仄仄、仄仄平平这种平仄交替的格式，也有平平平平、仄仄仄仄这种平仄不交替的格式；
The five words have both the alternate format of ping, pingpingpingping, pingpingping
六言既有仄仄平平仄仄、平平仄仄平平这种平仄交替的格式，又有仄仄仄仄平平、仄仄平平平平、平平平平平平、平平仄仄仄仄、平平平平仄仄等平仄不交替的句式；
The seven words have both the alternating format of ping, pingpingpingping
The arrangement of other sentences is roughly the same as that of four, five, six, and seven.
Well, for the sake of clarity, I'll sum up the tonal rules of ancient prose in one sentence:
What a great find! Where is the podium? Where are the lights? I want to make my great theory public for the benefit of others.
这时，我听到有人发出哈哈哈哈的大笑声：
Ridiculous! Ridiculous! Ridiculous!
WHAT？我疑惑地望着他。
只听他说：
Prose, originally a sentence, the number of words are not limited, very loose style, it is not like poetry, CI, Qu, parallel prose, Ci Fu and other rhymes, although the author may have the consideration of tonal arrangement, try to pay attention to tonal alternation, but must not think that prose must (note, must) pay attention to tonal rules. The so-called rules that you sum up here are equivalent to nothing. Because there are only two kinds of sound, either flat or tonal. In ancient prose sentences, there are some cases of implicit alternation of tonal and tonal patterns, so naturally there will be cases of inattentiveness to the alternation of tonal and tonal patterns. Isn't it absurd to use this set of so-called rules to measure and guide classical prose writing?
Speechless. Long speechlessness. After a long silence, I suddenly shouted:
Don't some of today's couplet theories, like me, want to develop a set of universal couplet tonal rules? Don't you want to hold the monkey in the antithetical couplet with the same spell as me?
二、《联律通则》的平仄规定
中国楹联学会颁布的《联律通则》，是根据对联界专家总结出来的理论制订的。其第一章“基本规则”第五条“平仄对立”，对对联的平仄安排表述如下：
In the sentence, the flat and the flat are alternated according to the rhythm, and the upper and lower links correspond to the opposite words on the rhythm points.
这个规则，没有脱离甚至可以说是基本套用近体诗的平仄安排。它不仅将古代相当一部分对联打入病联的行列，也束缚了当代对联作者的手脚。尽管《通则》中另外有平仄安排从宽的表述，但几乎没有人去注意。大多数人记住的只是上面这两句。即使不知道有这个《通则》、没见过这两句话的联友在实际操作中也“暗合”这种规定，因为他们长期以来都认为联律源于诗律。尽管如此，《通则》颁布这么些年，很多人甚至是写联几十年的联友对对联的平仄规则依然一头雾水，疑惑重重。可见，《通则》中关于平仄交替、相反的规则不能有效地指导实践。
So, how to formulate an easy-to-remember and easy-to-implement rules for leveling arrangements to improve the General Principles of the United Law and effectively guide practice? I would venture to propose a very, very simple proposal for couplet researchers and writers.
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